• Black Facebook Icon
  • Black Instagram Icon
  • Black Twitter Icon
  • Black YouTube Icon

BIOGRAPHY

 

Bandits on the Run is a refreshing new answer to the tunes of days gone by. Forged in the acoustics of NYC subway stations, the group’s signature 3-part harmonic voice stands at the center of their musical equation. Throw in some serious cello action, hooks played on various and sundry toy instruments, and a steely spine of rhythm guitar all accompanied by a suitcase drum packing a powerful punch and bang! you’ve got the basic magic of banditry — an alchemical science in which each bandits' distinct singing and songwriting voice is used in a multitude of combinations, resulting in an un-pin-down-able sound that can veer from shades of motown to witch-pop to folk-soul to punk-rock on a dime. Bandits are also known far and wide for bringing various non-music shenanigans to their live performances including shadow puppet shows, costumed characters, and party favors.

 

The band was born out of a chance encounter in the subways, when cellist Sydney Torin Shepherd encountered guitarist Adrian Blake Enscoe busking on an L-train platform. The group came together in earnest when Shepherd’s longtime music collaborator Regina Strayhorn moved to NYC and Enscoe invited the two down to the subways to try their collective hand at busking. All three actors in their own right, their dynamic quickly coalesced around the romantic whimsy of old school outlaws, and they took on the Bandit alter egos (Shepherd going under the moniker “Bonanza Jellyfish,” Enscoe as “Roy Dodger,” and Strayhorn simply as “Clarissa”) in order to elevate their quasi theatrical “musical stick-ups” to the level of guerilla theater.

 

Since their inception, they've brought their particular brand of live performance, charisma, and robust harmonic inventiveness from many a subway stop and street corner to a slew of notable NYC institutions including ROUGH TRADE, MERCURY LOUNGE, CITY WINERY, and Brooklyn’s KNITTING FACTORY and even some more unexpected music venues (from churches to motorcycle garages, nowhere is safe). In 2017 the Bandits released their debut album, THE CRIMINAL RECORD — crafted under the guidance of producer William Garrett (who was given his own bandit name: Lucky Jesus) — to much indie critical acclaim, such as picking up the Album of the Year honor by girl-power publication Sinister Girlz Radio. Two tracks off the album “What To Do” and “Funky Ghost” placed on Spotify curated playlists Folk Pop and The New Retro, (respectively) ensuring a global audience for the budding group. Later that year they entered and won the Coffee Music Project  — a singer/songwriter competition based out of London — with “Love in the Underground” a tune commemorating Shepherd and Enscoe’s chance subway encounter several years prior.

 

The past year has been kind to the Bandits, with their 2019 Tiny Desk Contest entry for “Love in the Underground” gaining the attention of NPR Music’s Bob Boilen and earning a “Top Shelf of the Tiny Desk” feature, as well as a tour across Europe and the release of an EP of their early songs recorded live at NYC’s famed Power Station. 2020 has already seen the Bandits making appearances at Sundance’s ASCAP Music Cafe, The Kennedy Center’s Millenium Theater, a handful of official showcases at SXSW, and an upcoming support slot for Grammy-Nominated sister act Larkin Poe at Webster Hall. This March marks a double release of their signature tune “Love in the Underground” — recorded at Electric Lady Studios by the indefatigable William Garrett — as two alternate-version singles along with an accompanying short film starring Jason Gotay and Michael Hartung. Keep your eyes peeled for more: The Bandits are never without another crazy scheme that just might work.

IMAGERY